Art-O-Gram: Picasso-the artist, life and love-scene 2

Picasso's life and his loved ones - especially in relation to Picasso's relationship with and to women an endless topic, on which serious artists and excited feminists, outraged petty bourgeois and imaginative cookbook authors, confused social scientists and envious boulevard journalists from probably every conceivable viewing angle.

The artist lifestyle and his relationships with women have already been dissected thoroughly enough, and it is probably not that important who shares why and which bed. Nevertheless, a overall view of Picasso does not quite avoid taking a look at his lifestyle and love - both are puzzle parts of the "People Picassos" , both also influenced his art.

Therefore, a sketch in 7 scenes follows the private side of the artist - an intensely lived life.

Scene 2: The eventful love life of an artist gives the reason for many consideration

Picasso's love life

Those who are talented are talented, and sensitive people feel this talent and want to participate - sometimes through a lot of closeness. Even the well -known "muses", marriages and love affairs of the artist result in a stately list, although this has only been handed down from Picasso's 23 years of age. "sequence" briefly :

From 1905 to 1912 the same age Fernand Olivier his companion and muse, who later told Picasso's inner fire, "a kind of magnetism" that she could not resist.

In May 1912 the two separated, on May 18 Picasso with Marcelle Humbert (until his friend Louis Marcoussis); When painting colleagues Braque arrived with his wife Marcelle, there were two Marcelles in a confined space. Picasso simply called "his" Marcelle to Eva, with the "last name" "Gouel", Breton "Party, Fete".

Eva "Gouel" died of tuberculosis in 1915, Picasso comforted herself during her illness with his neighbor Gabrielle Depeyre , who, however, married the American artist Herbert Lespinasse in 1916, then briefly but violently with the artist Irène Lagut .

During the work with Sergei Djagilew, Picasso Olga Stepanowna to know Chochlowa, a ballerina of the "Ballets Russes" , which he married on July 12, 1918 in Paris, and son Paolo was born in 1925.

From 1927, Picasso cheated on his wife with the then underage Marie-Thérèse Walter , who gave birth to daughter Maya in 1935, which in turn learned his wife. She wanted to divorce, Picasso (who should have shared his assets with her under French law), she remained married until Olga's death in 1955.

Interlude or not

The next dear Picassos was the French photographer Dora Maar , who got to know Picasso in 1936, in the 1940s she was his constant companion and popular model. Dora competed with Marie-Thérèse Walter for Picasso's affection, who "held back" and left the women to make out the rivalry.

As usually, not much came out, Picasso solved the problem by turning the 21-year-old Françoise Gilot , which he met in Paris in 1943. The 40 -year younger soon became his constant companion, in 1947 the first child came and in 1949 the second, Françoise ended in 1953 the relationship with Picasso.

Perhaps because he had already had an affair with Geneviève Laporte , 45 years younger, possibly fears that the relationship would be completely in childcare. The direction actually voted that Geneviève Laporte did not want to move to Picasso to the French Riviera, the successor to Françoise Gilot was Jacqueline Roque , 46 years younger (who married him in 1961 and remained with him until his death).

The 19-year-old Sylvette David , from whom Picasso painted over 50 portraits in 1954, had no affair with him. She describes Picasso as a real gentleman that she met no other man in her life who was so kind and respectful to her.

He had opened the door into a new life, had been caring and kind to her, gave her courage and gave her confidence and strength (interview Herwig painted with Sylvette David/Lydia Corbett, in the Süddeutsche Zeitung Magazin 5.2014, sz-magazin.sueddeutsche.de ).

Picasso's women and their influence on his art

The women live in Picasso and whether and how they had an impact on his art were and are the subject of many considerations. Picasso's work to his women is even a task that is well suited as a life's work for an art scientist.

He can try to divide Picasso's work phases according to his life partners at the respective time. He can ask if it was the women who determined Picasso's work in the end and explore what exactly they have determined. He can investigate whether the - unconscious or conscious - look for a new muse at Picasso always coincides with a stylistic change.

He can try to prove that Picasso was stimulated by the intensive study of the broadcast of a new medium to new perspectives in art or that he developed his ideas completely independently of his muses, but always seemed necessary to make a new idea necessary for him.

Since an art scientist who stands up to this life's work can only be put on paper in the end, we leave the influence that women had on Picasso's art , their imagination and their assessment and from scene 3 of this article simply give them a description of women in Picasso's life, with examples and stories of the works of art that are "assigned" to these women.

You will see that there are not a few women - if you read more about "Picasso and the women" , you will find that in reality there were even many more women in Picasso's life , and you will find many contributions from which the envy speaks quite clearly.

Here is the right Picasso quote: "The whisper of a beautiful woman can be heard further as the loudest call of duty." (found on natune.net/zitate/autor/pablo%20picasso/o11 ).

More about Picasso on Kunstplaza: "Art-O-Gram: Picasso-a long life for art", "Art-O-Gram: Picasso-Born" Born " , " Art-O-Gramm: Picasso-an artist and three wars " ," Art-O-Gramm: Picasso-famous art and her secret ", " Art-O-Gramm: "Picasso-a guarantee for top ranking" and "Art-O-Gram: Picasso today".